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D-MoZone is the place to find out what’s new with pianist/composer/educator Diane Moser. Keep an eye on this blog for updates on music, health, gigs, fundraisers, random thoughts and all things D-Mo. And please keep sending your thoughts, good wishes and comments this way—they’re always needed and always appreciated.

Saturday, February 20, 2010

Renowned bassist and educator JAMIL NASSER

.....died Saturday afternoon, February 13, 2010, at Englewood Hospital, after suffering a stroke and massive cardiac arrest. He leaves behind his beloved wife of 30 years, Barbara (Baano) Nasser, their son Najee, and sons Umar, Muneer and Zaid, and daughter Aliyah, from his first marriage, to Karimah.

I loved him on my favorite Ahmad Jamal recording-Free Flight!
It turns out that Jamil Nasser was one of the folks-I think along with Jimmy Owens-who started the Jazz Foundation-of whom I owe my life to-they took me on and helped me to connect with Dr Forte and paid for my biopsy at Englewood. Cobi Narita tells me that Dr Forte was Jamil's doctor.
If I hadn't talked to Todd Weeks and Bill Denison at 802-who in turn sent me to the Jazz Foundation-who in turn sent me to Dr. Forte-I would have probably died-and that's not an exaggeration-it was that close.
So I owe Jamil Nasser a great deal that's for sure.

This is from an email that Cobi Narita sent me....
Right now-we're looking at March 21st for Jamil's Celebration of his Life and Gifts at St Peter's Church in NYC-although that's not set yet.

I also wanted to let you know that it was Jamil's idea and his bringing in his friend Dr Forte that started the whole thing at Englewood Hospital. He told me about it before it was no more than an idea. Of course, the brilliant Wendy, whom I dearly love, and others brought the idea to fruition and what it is today.

JAMIL NASSER - born June 21. 1932 - died February 13, 2010
Jamil Nasser (George Joyner) was born in Memphis, Tennessee, where he began his musical career in 1948 as a tuba player in the Booker T Washington High School Band. Shortly thereafter, he was encouraged by his boyhood friend and neighbor, the musical genius Phineas Newborn Jr., to play the bass violin. He began playing the bass in 1949, and was selected to play bass with the school dance band after an impromptu audition. The Director was Phineas Newborn Jr. Jamil and Phineas recorded in Memphis in 1953 for Peacock Records.

After high school, with three all-expense musical scholarships to choose from, he chose Arkansas A.M. & N. College in Pine Bluff, Arkansas, where he organized and led the college band, the State Collegians. They went on to win the Pittsburgh Courier Poll for the "Best College Dance Band of 1950-1951."

After college, Jamil was drafted into the Army and was bassist and arranger for the 3rd Army Special Service Package Shows. Other members included Wynton Kelly, Duke Pearson and Leonard Nimoy (Mr. Spock from Star Trek). During that time, he was commissioned by General Bolling (Commander-In-Chief of the 3rd Army) to orchestrate the overture for the 3rd Army extravaganza, "Southland Panorama," using the 100-man concert orchestra plus the 19-piece dance band.

Upon being released in 1955, Jamil joined BB King’s band as bassist and arranger, and played the Electric Bass (a newly created instrument at that time). Phineas asked Jamil to join him in New York for his debut at the Basin Street East in 1956. They were well received by the musicians and the Jazz fans in New York. The trio was invited on the Birdland tour in 1957. Jamil was featured with the Phineas Newborn Jr. Quartet until 1958.

Thereafter, he was featured bassist with all-star jazz groups in both recording and personal appearances with such notables as Lou Donaldson, Donald Byrd, John Coltrane, Randy Weston, Red Garland, Gene Ammons, Herbie Mann, Al Haig, Lionel Hampton, Anita O’Day, Chuck Wayne and "Philly" Joe Jones, to name a few.

Forming a quartet in 1958 with the late legendary Oscar Dennard (pianist), Idrees Sulieman (trumpet) and Buster Smith (drums), they performed throughout Western and Eastern Europe, North Africa, and the Middle East for three years. After returning to America in 1962, Jamil was musical director and leader of the trio at Chuck's Composite, an East Side night club that was the phenomenon of the early sixties.

Jamil joined the Ahmad Jamal Trio in 1964, along with Frank Gant on drums, an association that lasted for eleven years. During this same period Jamil was vice president of Ahmad Jamal Productions Corporation, Hema Music Incorporated, and Jamal Publishing Corporation. He was President of The King Series, an organization that specialized in special artistic packaging of all-star groups assembled with emphasis on musical compatibillity and historical importance, such as the importent packaging of the quartet which featured Red Garland, Lou Donaldson, Jimmy Cobb and Jamil, which toured Japan to sold-out houses in each city.

As producer of the jazz portion of the first "Memphis In May Festival" in 1977, Jamil assembled expatriate Memphis jazz artists and performed with them to more than 13,000 people on the famous Beale Street. Artists included were Phineas Newborn Jr., George Coleman, Hank Crawford, the late Sonny Criss, Frank Strozier, Harold Mabern and Marvin Stamm, to name but a few.

He served as musical director and bassist for actress/jazz singer Cybill Shepherd's east coast engagements.

Jamil produced and directed the first enormously successful 3-day Westchester Jazz Festival for the Presbyterian Jazz Society in Mount Vernon, N.Y.

He was a Vice Presdent of the Jazz Foundation of American 1990-1995.

He was the CEO and founder of Global International Art, Inc.. (GIA), which had a board consisting of artists and business people whose primary interest was to preserve the classical Jazz Art that is based on the total Black experience of swing-soul and beauty.

As an educator, he was director of jazz workshops at State University of New York st Stony Brook.

For many years, he was music director of the Universal Jazz Coalition, Inc./ Jazz Center of New York. producing special concerts and different workshops for instrumentalists and vocalists. Jamil and his trio, Harold Maben on piano and Frank Gant on drums, conducted well-attended weekly free jam sessions, which were important due to the construcitve critiques offered by the trio.

Among his most notable concerts were the intensely beautiful presentation of his Bassoon Choir, the fulfillment of a long-time dream, under a grant from the National Endowment for the Arts; his concert honoring one of his best friends, Major Holley, titled Bass Ball, his tribute concert for Red Garland was one of the most musically-satisfying concerts of the year; and he, along with Max Roach and Cobi Narita, spearheaded the fundraising concert for his best friend and mentor, Papa Jo Jones, at the Village Gate, raising $15,000 in cash which he presented to Papa Jo.

Jamil’s other mentor and great friend was Lester Young; Jamil used to say that Papa Jo and Prez had their own special language. They watched over Jamil and taught him “the tricks of the trade”. Jamil made the arranements to get Prez out of France and back to the U.S., during his final illness.

For more than a decade, he was George Coleman’s “bassist of choice”, performing in hundreds of supremely successful concerts, where his steady, strong, yet sensitive, lyrical bass lifted the group to new heights with each performance. One of the finest tenors of our time, George never sounded better nor appeared to enjoy the music more than when he played with Jamil.

He was also bassist of choice with Randy Weston for many years; his first performance with Randy (as George Joyner; he legally became Jamil Nasser later in the same year) was at the 1958 Newport Jazz Festival. One of the highlights of his working with Randy was performing with the Boston Pops Orchestra. With Randy, he recorded three albums in Paris over one weekend:
Tribute to Duke Ellington
Tribute to Thelonious Monk
Music of Randy Weston

Nasser's great diversity and sensitivity on the bass made him in great demand. He is on hundreds of albums. A few of them, among many others, are:

Outertimeinnerspace Ahmad Jamal-Impulse AS-9226
Ahmad Jamal-Impulse AS-9217
Eddie Heyward Now
Eddie Heyward-Lyn Records EH-1000
Fine and Dandy
Lou Donaldson, Red Garland, Jimmy
Cobb, Jamil Nasser LOB LOC-1022
Expressly Ellington
Al Haig-Jamil Nasser Combo Spotlite SPJ LP20
New York Panorama
George Coleman Quartet Theresa Records TR120
Portraits of Thelonious Monk Randy Weston 3 Album set Polydor France 281-LCO383
Portraits of Duke Ellington Randy Weston Polydor France 281-LCO383
Self Portraits Randy Weston Randy Weston Polydor France 281-LCO383

Thursday, February 11, 2010

No New Tumors!

I just got back from my doc's office-and from the cat scan that I had done 2 weeks ago-there are no new tumors to report! I had a talk with my doc about the gene mutation test-he's going to work on it from his end-and I'll work on it with the Life Raft Group.

We also talked about secondary mutations-which it sounds like they could be inevitable-which could generate new tumors-but as he said-we'll deal with that if it happens.
We also talked about the pros and cons of doing cat scans every 6 months-which is what is suggested by the GIST specialists-but I had a read an article in the NYTimes this week about the amount of radiation that just 1 cat scan can generate-I think they said 1 cat scan equals 400 chest xrays http://www.nytimes.com/2010/02/10/health/policy/10radiation.html Yikes!! I had a cat scan almost everyday that first week in the hospital-I should be glowing in the dark by now......
Dr Forte believes that it's dangerous to do too many cat scans-and I have to agree-so I think we'll wait on the next one past the 6 month deadline.

All in all-he says I'm in great health-and we laughed about the cat scan report that said there was nothing remarkable-I said"Oh Dr Forte-it says I'm unremarkable"-which he took seriously and I started to laugh-telling him that I was jokin' with him-he started to laugh too.!

After the doc visit-I picked up my dear friend and lead trumpet player Mike Spengler and we went out for a celebratory lunch for my good news and his birthday!
Today was a very good day!

Friday, February 5, 2010

Jazz at Englewood Hospital

I try to schedule my appointments just before noon at the hospital-that's because I know I'll get a chance to hear some jazz in the lobby-and the past few weeks have been wonderful!

One day I walked in and Lisle Atkinson was playing bass (I didn't recognize the pianist). A few days later it was Ron Naspo on bass, Bob DeBenedette on piano, and Fred Stoll on drums. That was the day I was picking up barium for my upcoming cat scan, and checking on the insurance pre-cert, good thing I did the checking, the insurance company didn't say yes to all of it-so I had to go back to the doctor's office to figure out the what next scenario-which they did.

Ron, Bob and Fred play every Friday-and possibly Saturday too. Ron and Bob told me that the gig was originally with a trombonist, who has since passed away. Ron and Bob visited me while I was in the hospital last year, on the days that they played in the lobby. It was so wonderful to have them hanging out in my room-swappin' musician stories- of course!

Then a few days after I saw Ron, Bob and Fred, I was there for my chest xray and cat scan. After I was done, I walked over to the cafeteria (hadn't had any food for many hours) and this time it was my dear friend Calvin Hill on bass and Richard Wyans on piano. Calvin and I talked for a little, updating each other on comings and goings. Calvin looks and sounds great! Many of you probably didn't know that Calvin was hospitalized a few weeks after me-but in Paris! We are so grateful that he's fine now.

There's a sign on the piano in the lobby that the music is a contribution to the hospital by-my doctor-Dr Forte. This I believe is part of his promise to Dizzy Gillespie, to keep the music going, and to give medical care to jazz musicians who do not have health insurance.

Going to the hospital can be very stressful, but knowing that I'll be able to hear some wonderful music while I'm there, makes all the difference in the world.